Pacta sunt servanda performance @ Intense Proximity, La Triennale
21.04.2012
Anca Benera and Arnold Estefan
performance Pacta sunt Servanda, chapter 4 - Fekete Március / Martie negru / Black March
duration: 15 min.
April 19th at 19:00 and April 21st at 16:00 at Palais de Tokyo - 13 Avenue du Président Wilson
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performance Pacta sunt Servanda, chapter 4 - Fekete Március / Martie negru / Black March
duration: 15 min.
April 19th at 19:00 and April 21st at 16:00 at Palais de Tokyo - 13 Avenue du Président Wilson
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Intense Proximity, La Triennale
01.04.2012
20 April - 26 August, Palais de Tokyo, Paris
Artistic Director: Okwui Enwezor
Associate Curators: Mélanie Bouteloup, Adbellah Karoum, Émilie Renard, Claire Staebler

"Inspired by the great work of early to mid 20th century French ethnography figures such as Claude Levi-Strauss, Marcel Mauss, Michel Leiris, and Marcel Griaule, La Triennale sets off on a journey to explore the nodes where art and ethnography converge in a renewal of fascination and estrangement. Fundamentally, the goal of the project is to shift from the idea of national space, as a constituted physical location, to a frontier space that constantly assumes new morphologies and new models of categorization (local, national, trans-national, geo-political, denational, pure, contaminated, etc.)
Contemporary art has become a global phenomenon fostered by an ever growing network of relations overcoming distances. La Triennale will therefore approach the art of today through this wealth of connections. Its title Intense Proximity points to those frictions, those heterogeneous tensions which set every human activity into motion. It also questions how an individual’s origins, intellectual education or life path have an impact on his/her situation in the larger context of a society in which the fault lines are increasingly uncharted..." [more]

http://www.latriennale.org/en/artists/anca-benera-arnold-estefan
Artistic Director: Okwui Enwezor
Associate Curators: Mélanie Bouteloup, Adbellah Karoum, Émilie Renard, Claire Staebler

"Inspired by the great work of early to mid 20th century French ethnography figures such as Claude Levi-Strauss, Marcel Mauss, Michel Leiris, and Marcel Griaule, La Triennale sets off on a journey to explore the nodes where art and ethnography converge in a renewal of fascination and estrangement. Fundamentally, the goal of the project is to shift from the idea of national space, as a constituted physical location, to a frontier space that constantly assumes new morphologies and new models of categorization (local, national, trans-national, geo-political, denational, pure, contaminated, etc.)
Contemporary art has become a global phenomenon fostered by an ever growing network of relations overcoming distances. La Triennale will therefore approach the art of today through this wealth of connections. Its title Intense Proximity points to those frictions, those heterogeneous tensions which set every human activity into motion. It also questions how an individual’s origins, intellectual education or life path have an impact on his/her situation in the larger context of a society in which the fault lines are increasingly uncharted..." [more]

http://www.latriennale.org/en/artists/anca-benera-arnold-estefan
opening @ Salonul de Proiecte
24.02.2012
February 23rd – April 8th 2012
http://salonuldeproiecte.ro
http://salonuldeproiecte.ro
Artists: Anca Benera and Arnold Estefan, Tudor Bratu, Cristina David, Sebastian Moldovan, Ghenadie Popescu, Anca Munteanu-Rimnic, Cristian Rusu
Subterreanean travel. Navigating the lost rivers of London, Camden Arts Centre London
17.10.2011

exhibition opening on Wednesday 30 nov 7 - 9 pm
Camden Arts Centre, Arkwright Road NW3 6DG, London
"Romanian artist Anca Benera works in a range of media spanning video, performance and sculpture. Her practice focuses on storytelling and re-construction; in particular she is interested in investigating how stories are told and the methods through which we arrive at collectively accepted truths. Benera uses the public realm as both a resource and a medium to present and inform her projects, exploiting the layered multiplicity of histories which make up the urban environment to re-examine and challenge our perceptions of the world around us. During her residency Benera will develop work as part of an ongoing research project, questioning these historical, social and political narratives."
Doppelgänger of the recent past
10.10.2011
4th edition, 11-20 November, Temps d'Images festival, Cluj
Doppelgänger of the recent past
Curator: Raluca Voinea
Artists: Anca Benera&Arnold Estefan, Alexandra Pirici

The exhibition brings together video documentations of performances by artists Anca Benera and Arnold Estefan, on the one hand, and Alexandra Pirici together with a group of performers, on the other. Both works have been produced in 2011 and stage moments of encounter between the artists and Romania's history. In Pacta Sunt Servanda, Anca Benera and Arnold Estefan read simultaneously, in Romanian and Hungarian, one in front of each other, from their respective history schoolbooks, passages treating the same moments, but offering contradictory perspectives. Dacă voi nu ne vreţi, noi vă vrem [If you don't want us, we want you], the work of Alexandra Pirici represents different enactments of living sculptures, confronting public heroic monuments and buildings in Bucharest, such as the controversially rebuilt equestrian statue of Carol I, the monument of the 1989 Revolution or the House of the People.
The artists embody the awkward reflexion of a past that is all too questionable despite its apparent immutability, with well-rooted and imposing effects on the present. In the uneven relationship between their voices or bodies and the written word, the stone or the bronze, they manage to cast doubt upon their objects of reference, to reveal them as the real ghosts.
Raluca Voinea
Doppelgänger of the recent past
Curator: Raluca Voinea
Artists: Anca Benera&Arnold Estefan, Alexandra Pirici

The exhibition brings together video documentations of performances by artists Anca Benera and Arnold Estefan, on the one hand, and Alexandra Pirici together with a group of performers, on the other. Both works have been produced in 2011 and stage moments of encounter between the artists and Romania's history. In Pacta Sunt Servanda, Anca Benera and Arnold Estefan read simultaneously, in Romanian and Hungarian, one in front of each other, from their respective history schoolbooks, passages treating the same moments, but offering contradictory perspectives. Dacă voi nu ne vreţi, noi vă vrem [If you don't want us, we want you], the work of Alexandra Pirici represents different enactments of living sculptures, confronting public heroic monuments and buildings in Bucharest, such as the controversially rebuilt equestrian statue of Carol I, the monument of the 1989 Revolution or the House of the People.
The artists embody the awkward reflexion of a past that is all too questionable despite its apparent immutability, with well-rooted and imposing effects on the present. In the uneven relationship between their voices or bodies and the written word, the stone or the bronze, they manage to cast doubt upon their objects of reference, to reveal them as the real ghosts.
Raluca Voinea
Inventory - Archive Kabinett Berlin
18.09.2011

Self Publishing in Times of Freedom and Repression publication is included in the project Inventory by Archive Kabinett Berlin within the frame of 3 Thessaloniki Biennale.
Inventory is a representation of a research journey in the form of an archive of publications and printed matter. Starting from a central position in Europe (Berlin), the trip develops toward Eastern and Middle Eastern regions through cities like Poznan, Prague, Budapest, Belgrade, Bucharest, Sofia and Istanbul, ultimately reaching Thessaloniki.
In this journey we took into consideration the changes and movements currently taking place in Arabic countries and Greek regions, and saw their impact on cultural, economical, political and social structures as a possibility to question European cultural establishments and their “patriarchal” archives. The project tried to dig deep into the recent past of these regions and into their heritage, in order to record an inventory of anomalies, heresies, anarchism and feminism.
http://www.archivekabinett.org/
Catedra de Istorie Temporara
09.09.2011
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Catedra de Istorie Temporara / Temporary History Deparment.
exhibition catalogue
New publication released
18.08.2011
Where art does take place in the End Times? Caminul Cultural, Bucharest, June 2011
09.06.2011

3 ANI FARA ARTA / 3 YEARS WITHOUT ART (after Gustav Metzger)
performance (with Alina Serban), Where Art does take place in the End Times?
Caminul Cultural, Bucharest, 2011
MATTER & HISTORY book launch
19.04.2011

Author: Anca Benera Editorial concept: Anca Benera & Alina Serban Language: Romanian/ English Number of pages: 318 Published by: Romanian Cultural Institute Texts by: Ioana Beldiman, Ellen Blumenstein, Reuben Fowkes,Duncan Light, Ciprian Mihali, Deborah Schultz, Alina Serban, Ioana Vlasiu Sound editor: Catalin Rulea Design: Arnold Estefan ISBN 978-973-577-621-3 Year: 2011http://www.pplus4.ro/publications.html
SELF-PUBLISHING IN TIMES OF FREEDOM AND REPRESSION
18.04.2011

WORKSHOP & PUBLIC LECTURES 19-23 April, 2011 Centre for Visual Introspection, Bucharest Self-publishing in Romania has a complex and still insufficiently researched and publicized history. Publishing as a means of self-expression and samizdat as a form of it, born in specific oppressive conditions, might shed a new light on the meaning of self-publishing, its forms and challenges today. What are the new forms of censorship today? What are the limits and means of self-expression / self-censorship and freedom of speech? What is the role of printed matter in the age of internet and social networks? Concept and organization: Anca Benera, Arnold Estefan Workshop imparted by Marco Balesteros & Sofia Goncalves (Portugal) Participants: Renata Catambas (Portugal/NL), Rafaela Drazic (Croatia) Elenora Farina (Italy), Ward Heirwegh (Belgium), Tzortzis Rallis(Greece/UK), Katarina Sevic (Serbia/Hungary), Golie Talaie (Iran/NL), Paul Wiersbinski(Germany) Lecturers: Lia Perjovschi (Romania), Piotr Rypson (Poland), Vasile Ernu(Romania), Olga Zaslavskaya (Rusia/Hungary)
CAPETE ÎNFIERBÂNTATE 13-15 IUNIE 1990
16.03.2011
Straying away from the well-known, sometimes formalized, aestheticized and institutionalized path of the exhibition, Centre for Visual Introspection introduces a new series of events entitled Making of (work). The project focuses on documenting the intermediate stages, the sources and methods that are part of the creation of a project. Thus, it reveals the process of research, the context, ideas and attitudes of those invited, striving not to create an object for an exhibition, but to activate a type of practice with possible effects on the real lives of the participants. In this context,the project mentains the necessity of redefining the position of both the artist and the viewer, and also the experience of art. Find out more information on www.pplus4.ro
"HEATED MINDS" ARCHIVE 13-15 JUNE 1990 18 March - 11 April, 2011 Centre for Visual Introspection, Bucharest curators: Mihaela Michailov, David Schwartz
CNDB, CARE-I TREABA?
15.02.2011
CNDB, CARE-I TREABA?/CNDB,WHAT’S THE MATTER? curator: Manuel Pelmus 10 March - 15 March, 2011
IDEA arts+society #35
19.11.2010
X-RAYING THE LANDSCAPE OF OUR SUBZISTENCE: THE CENTER FOR VISUAL INTROSPECTION An Interview with Anca Benera, Arnold Estefan, Catalin Rulea and Alina Serban by Daria Ghiu. www.idea.ro/revista www.pplus4.ro




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